When Pulitzer Prize finalist playwright Jon Robin Baitz put pen to paper (or fingers to PC) to write “Other Desert Cities,” he was either in split personality mode or solving a Rubik’s cube puzzle – or both. His play is about dysfunctional family members with fragile backgrounds. Some have a secret that could break the delicate hold that – at times – keeps the family together.
He succeeds in bringing us a gripping, thoughtful, humorous and interesting story with a twist. The play’s title is taken from a sign on Highway 10 near Palm Springs, which directs a turn to Palm Springs or straight ahead to “Other Desert Cities.”
It is directed with a firm hand by Richard Seer, who leads a group of fine talent through a story that jumps from a family that seemingly has it all publically under control to an unwanted trip into the past. In lesser hands this could have been a confusing mess. Seer created visions that were almost seamless and kept the plot appealing and moving at an alert and thoughtful pace.
There aren’t any weak players; everyone is sharp and comfortable and delivers solid performances. Kate Turnbull, Kandis Chappell, James Sutorius, Rod Brogan and TheatreWorks favorite, Julia Brothers, make up this pristine cast that is just about flawless. They each bring a special depth and emotion to their roles.
This all takes place in one gorgeous set designed by Alexander Dodge, who spreads a very modern, detailed, upscale living space that melds right into the time and place. Sound by Paul Peterson and lighting by Steven B. Mannshardt are as always up to the TheaterWorks high standards.
For an evening of fine acting and direction, “Other Desert Cities” will leave you a little drained from the mental and emotional calisthenics of the plot, but you will most definitely be uplifted by the performances and story.
Camille Bounds is the Theatre and Arts Editor for Sunrise Publications.
