Ti Moune (Salisha Thomas, far left) looks on as Erzulie, Goddess of Love (Adrienne Muller) dances in TheatreWorks' musical ‘Once On This Island.’

Take “The Little Mermaid” by Hans Christian Anderson and add writer Rosa Guy, who loosely bases a Caribbean flavored novella on the story, then add book and lyrics by Lynn Ahrens and music by Stephen Flaherty and you have the latest offering from TheatreWorks: “Once On This Island.”
Director Robert Kelly and choreographer Gerry McIntyre have brought together a stellar cast in this multi-Tony nominated production.
A talented, strong cast weaves the story being told to a small girl during a storm. The plot tells of a “Romeo and Juliet”-type relationship between a poor girl from one side of the island and a rich boy from the other. Ti Moune, the heroine, enters a romantic, loving – but tragic – affair.
The production is done without intermission and moves at an accelerated pace. Salisha Thomas plays Ti Moune with a voice that defies her size and pulls off her character with gutsy conviction and innocent poignancy.
Max Kumangai takes the dark spirit role of Papa Ge, Demon of Death, to the depths of where it belongs. All the voices are rich, full and deliver a satisfying feeling. I found McIntyre’s choreography interesting and unique.
Joe Ragey dazzles with his colorful set, and combined with Pamila Z. Gray’s detailed lighting and Cathleen Edwards colorful simple costumes, this production will hold your attention throughout the evening.
William Liberatore conducts and – as usual – does a great job with gusto. He gets so much music from his orchestra, which plays the calypso-rich score.
The play is mostly singing with very little dialogue, and that makes it as close to an operetta as you can get. “Once On This Island” entertains with a bittersweet story and an excellent professional ensemble.

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